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∎ PDF Gratis The Thief Lord Cornelia Funke 9781903434772 Books

The Thief Lord Cornelia Funke 9781903434772 Books



Download As PDF : The Thief Lord Cornelia Funke 9781903434772 Books

Download PDF The Thief Lord Cornelia Funke 9781903434772 Books


The Thief Lord Cornelia Funke 9781903434772 Books

I just re-read the book before giving it to a preteen as a gift. The story, an orphan who is accepted by a street gang of kids rejecting the numbing insensitivity of life in an orphanage to create a family of their own, which must, necessarily, exist outside 'normal' society and often in confrontation with the law, is thrilling. But it is equally important, that it inspires reflection on the situation of the hundreds of thousands of forgotten homeless orphans all over the world for whom no orphanages even exist to take them in. What would, could you do if you found yourself in that situation? How would you find a safe place to sleep? What would you have to do to feed and clothe yourself when there is no way that is open to adults to do so without breaking the law.
I love the setting of the story, Venice, a city that is as magic as it is real. As a place in the story it is the real Venice, the bridges, plazas, streets, and ,for the most part alleys, do exist. So do the monuments, although not all of the palaces are real. The Venice in the story is the Venice known to the tourists, but more importantly, the Venetians' Venice during and in the off-tourist season. I have been to Venice about fifteen times and I like it best when most tourists have left and you can experience it not being a 15th century Disneyland. I find it even more magical in the rain.
In the final chapters the story slowly introduces the fantastic. I originally found that disturbing, because it felt as if the Cornelia Funke could not find another, more realistic conclusion. Reading the book a second time, it did not bother me, because in relation to Funke's other books, it seems like a first attempt to mingle reality with the mythological and the fantastic, most likely influenced by the books of Michael Ende.

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Tags : The Thief Lord [Cornelia Funke] on Amazon.com. *FREE* shipping on qualifying offers. Aimed at children aged nine to 12 years, this is a magical thriller set among the crumbling canals of Venice.,Cornelia Funke,The Thief Lord,Gardners Books,1903434777,Children's & young adult fiction & true stories,Children: Young Adult (Gr. 7-9)

The Thief Lord Cornelia Funke 9781903434772 Books Reviews


Prosper and Bo are on the run from their aunt and uncle who want to separate the brothers by having the young Bo live with them while shipping the older Prosper off to boarding school. With hopes of staying together, they flee to the magical city of Venice where they are taken in by a mysterious boy who calls himself the "Thief Lord". With the help of their Thief Lord they are able to reside in an abandoned movie theater with other young runaways - who they consider family and the dilapidated theater a home. Along the way we also meet Victor Getz- the detective hired by Bo and Prosper's aunt and uncle to help find the boys (and by far my favorite character).

This story was such a fun, action-filled, fast-paced adventure! I loved all the details and descriptions of Venice. The characters were full of wit and quite funny. The story itself is well-written has the perfect combination of magic, imagination, and reality.

For those of us who love adventure, twisty plots and witty characters - this is really a treat.
Bestselling German author Cornelia Funke is finally introduced to American readers with The Thief Lord. The story is set among the almost magical canals of Venice. It tells the unusual adventures of two brothers, Prosper and Bo, as they attempt to make a life for themselves without falling back into the hands of their horrid Aunt Esther. The brothers befriend several other orphans and support themselves with the help of a mysterious boy who calls himself the Thief Lord. Prosper and Bo think they are safely hidden until Prosper runs into Victor Getz, the detective their aunt has hired to find them.
This story could not be set anywhere else. The canals and the less-than-logical layout inherent in an old city are vital to the tale. The genuinely magical twist The Thief Lord takes towards the end of the book fits in beautifully with the character of Venice. Funke has peppered the children's dialogue with Italian words, the meaning of which is easily inferred from the context. However, for anyone who might be confused, there is a glossary at the end of the book.
The characters are likable, their worries easily understood. Aunt Esther is simultaneously horrible and understandable; she is horrid in her total misunderstanding of what children are like and care about, but understandable in that many adults do not know how to interact with young people. Esther is not a caricature of the evil adult because she is not evil, merely mistaken and foolish. The reader will both detest and pity the woman. While many of the events in the story require the children to be self-reliant, they do find trustworthy and kind adults in the end, giving the reassurance to children that there ARE caring and sympathetic grown-ups in the world.
I read this after my grandson, who will be 11 next month, told me how good it was. He is right!
The main characters, a group of endearing (but not always angelic) children, are absolutely charming!! Then there are a few adults woven in - some nurturing and some villainous. The adventurous story moves along at a nice pace and keeps you totally engaged. And a little bit of charming fantasy at the end. I was totally enthralled - what a lovely story!
This is the third copy of this book that I am buying--having loaned my first copy never to be seen again (the child I loaned it to loved it so much...) and given the second copy as a gift to another child who started reading it while visiting and got totally absorbed in the story--so she took it home with her 'for keeps'...
Funke writes well, and in this book she outdid herself--the story of Venice its architecture, its magic corners and old houses and mysterious past, all come to life through the eyes of the children in the book. Even if one never went to Venice, they may feel like they know it a little after reading the book... The story flows wonderfully, with just the right touch of suspense and twists and turns (pun intended...). Lovely.
I highly recommend it for children ages 9 and up.
This book is the reason i read to this day. I read it in middle school during the scholastic reading program. After finishing it i immediatly reread it then once more for the third and final time. It is one of the few books i was able to reread and enjoy as though i was reading it for the first time. It is a book that when my niece is older i will buy in the hope that it might do the same for her.
I just re-read the book before giving it to a preteen as a gift. The story, an orphan who is accepted by a street gang of kids rejecting the numbing insensitivity of life in an orphanage to create a family of their own, which must, necessarily, exist outside 'normal' society and often in confrontation with the law, is thrilling. But it is equally important, that it inspires reflection on the situation of the hundreds of thousands of forgotten homeless orphans all over the world for whom no orphanages even exist to take them in. What would, could you do if you found yourself in that situation? How would you find a safe place to sleep? What would you have to do to feed and clothe yourself when there is no way that is open to adults to do so without breaking the law.
I love the setting of the story, Venice, a city that is as magic as it is real. As a place in the story it is the real Venice, the bridges, plazas, streets, and ,for the most part alleys, do exist. So do the monuments, although not all of the palaces are real. The Venice in the story is the Venice known to the tourists, but more importantly, the Venetians' Venice during and in the off-tourist season. I have been to Venice about fifteen times and I like it best when most tourists have left and you can experience it not being a 15th century Disneyland. I find it even more magical in the rain.
In the final chapters the story slowly introduces the fantastic. I originally found that disturbing, because it felt as if the Cornelia Funke could not find another, more realistic conclusion. Reading the book a second time, it did not bother me, because in relation to Funke's other books, it seems like a first attempt to mingle reality with the mythological and the fantastic, most likely influenced by the books of Michael Ende.
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